The plot is simple: a down-on-his-luck Broadway producer and his mild-mannered accountant come up with a scheme to produce the most notorious flop in history, thereby bilking their backers (all "little old ladies") out of millions of dollars. Only one thing goes awry: the show is a smash hit! The antics of Max Bialystock and Leo Bloom as they maneuver their way fecklessly through finding a show (the gloriously offensive "Springtime for Hitler"), hiring a director, raising the money and finally going to prison for their misdeeds is a lesson in broad comic construction. At the core of the insanely funny adventure is a poignant emotional journey of two very different men who become friends.
With a truly hysterical book co-written by Mel Brooks and Thomas Meehan (Annie) and music and lyrics by Mr. Brooks, The Producers skewers Broadway traditions and takes no prisoners as it proudly proclaims itself an "equal opportunity offender!" Rated PG-13
The Producers is presented through special arrangement with Music Theatre International (MTI). www.mitshows.com
Director: John Desmone, Music Director: Jarrett Rettman, Choreographer: Leslie Perry, Stage Manager: Malia Williamson
The Producers will be performed live at the new Chesapeake Welcome Center Theater on the campus of Harford Community College (HCC), September 11-20th. Performances take place Fridays at 7:30 PM and Saturdays (TBD) and Sundays at 2 PM.
Auditions will be held on Monday, June 8 and Tuesday, June 9 beginning at 7:00 PM at Harford Community College, 401 Thomas Run Road, Bel Air, MD 21015, in the new Chesapeake Welcome Centers Theater (CWC). If needed, callbacks will be held and are by invitation only. If requested, all invited actors must attend in-person callbacks to be considered for casting. Callbacks will be held on Wednesday, June 10 at HCC, 401 Thomas Run Road, Bel Air, MD 21015, in the CWC.
Video Submissions:
Video submissions are welcome. However, in-person auditionees allow for better assessment of, "chemistry," "redirection," or "presence. They must be received by the end of the day on Monday, June 8, 2026. Send to bwhaley@harford.edu.
Late submissions and auditionees without a complete audition form will not be reviewed.
Not receiving a callback does not automatically mean you have not been cast. Casting will be completed on or before June 28, 2026. You will be notified either way.
Rehearsals will start in early July. The schedule will be created based on who is cast and conflicts shared. Rehearsals will be held 2 or 3 evenings a week and at least 1 day on the weekends. Not all cast will be called to all rehearsals.
Everyone who is cast is expected to be available for all of tech week, which begins on Saturday, 9/5 through opening and all performances.
All roles are unpaid and non-equity. No roles are precast; all roles are available.
If you have any questions, please contact bwhaley@harford.edu.
AUDITION DETAILS
Audition forms should be completed prior to audition. If unable to complete the form prior, arrive early to complete it. A picture of you will be taken that evening to help with casting.
Sign up for your audition slot: (Will add a sign-up genius link if you want slots and not cold call)
Prepare 16-32 bars (about 1 minute) of a song in the style of the show that best shows your ability and vocal range. You can use songs from the show. Bring sheet music for the song you will perform. An accompanist will be provided.
Please dress comfortably and be ready to learn and perform a basic dance combination. You may be asked to read a side from the script. It will be provided at the audition. If you receive an offer for a role, you will have 48 hours to accept. We will assume you are not interested if we do not hear from you after 48 hours.
Rehearsals will begin in early July starting with an introductory meeting and read through.
Conflicts: Please list on the Audition Form all conflicts, including Saturdays and Sundays. If you are involved in another show at the same time, please note that on your conflict sheet.
Tech Week will begin on September 5, 2026. No absences are allowed as of this date. A rehearsal schedule will be provided ASAP.
PFT provides costumes | Actors are required to provide the following:
Tattoo covering
Shoes – unless show specific
Belts, socks, hosiery, undergarments
Theatre blacks – black pants, shirt long sleeve – no midriff.
Make-up and hair products unless show specific, i.e. hair clips, bobby pins, hair spray, make up remover, etc.
Potentially provide everyday items such as jeans Water bottle/water/snacks
CHARACTERS:
All roles are open to all races, ethnicities and gender
Character Breakdown
Max Bialystock
The consummate con man. Naturally animated and bombastic, he is never at a loss for charm and manners. Typically conspires with Leo. Great comic actor who should be able to sing and move well. Gender: male
Age: should play 40 to 55 Vocal range top: F#4 Vocal range bottom: A2
Leo Bloom
An accountant. Boring and mousy, he is a hesitant optimist who longs for something more. Dragged into a scheme by Max. Should be able to act, sing and dance well, including tap.
Gender: male
Age: should play 35 to 45 Vocal range top: F4 Vocal range bottom: A2
Franz Liebkind
German loyalist playwright. From his lederhosen to his pigeon, Adolph, his love for the motherland is unmistakable. He is imposing yet tender. Should be able to act and sing well.
Gender: male
Age: should play 35 to 55 Vocal range top: G4 Vocal range bottom: F2
Rogers Debris
New York's most famous and flamboyant stage director. Surrounds himself with deliciously beautiful clothing, people, and possessions. In a crowd, it would be impossible to miss him. Should be able to act and sing well and move.
Gender: male
Age: should play 50 to 60 Vocal range top: G4 Vocal range bottom: G#2
Carmen Ghia
Roger Debris' faithful assistant. Carmen is severe in looks and passion for Roger. He may appear younger than he actually is thanks to skilled surgeons. Should be able to act and sing well and move.
Gender: male
Age: should play 25 to 35 Vocal range top: A4 Vocal range bottom: C3
Ulla Inga Hansen Benson Yonsen Tallen-Hallen Svaden-Svanson
A young and hopeful actress. Though her beauty might eclipse her talent, Ulla is passionate about life and art. Quite a clueless seductress in some ways. Should be able to act, sing and dance well.
Gender: female
Age: should play 20 to 30 Vocal range top: G5 Vocal range bottom: A3
Ensemble (lots of wonderful roles to fill so you likely could get more than one - or two or three - to do):
Accountants, Bag Lady, Bavarian Peasants, Bum, Chorus Girls, Churchill, Cops, Convicts, Donald, Gunter, Heilos, First Nighters, Jack, Jason, Judge, Jury Foreman, Little Old Ladies, Mr. Marks, Nuns, Prison Trustee, Roger’s Production Team (Bryan, Kevin, Scott, & Shirley), Stalin, Stormtroopers, Street Cleaner, Ticket Taker, Girl Prisoners, Usherettes, Workmen,
All vocal parts are needed. Plenty of character work for actors of all ages. Female dancers who can tap well a must.